We have come to the Whitney our pasts inside us, silent like the dogwood flower
A tableau of sculptures march the veranda, some small and assertive, some large and lethargic all migrants, ex-captives
the clank of their chains still shuffles the High Line one foot fear, one foot courage one step fear, one step courage they join in assembly they tell of their bondage
One figure, an ape of a figure big African lips, on his shoulder a bindle not of clothes or belongings but of empty food cans
I remember when father lived in our car lived out of cans he too, emancipated